In 1936 he opened his Zurich studio where he specialized in graphic and exibition design and photography. He then went on to produce concert posters. His 1951 series of concert posters were a definitive statement of his style. Very geometric, unemotional, and abstracted. And more than 30 years after he opened his studio, he founded "New Graphic Design," which spread the principals of the Swiss design ethic internationally. He also authored the books "History of Visual Communications" and "History of the Poster".


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